
Nakanuri-lacquer is applied to a bowl with a nakanuri brush. This lacquer
works into the undercoating and strengthens the priming. The bowl is then
put in a "nushi bath" for drying. A nushi bath is a dark room
made of cedar boards the humidity of which is kept high by frequently spraying
a fine mist of water around the room. Some bowls receive two or more intermediate
coatings. |

Nakanuri (Intermediate Coatings) |

After the nakanuri-lacquer is dry, the surface is lightly planed off to
remove uneven spots, such as embedded dust or other imperfections. |

After sabizarai is finished, other defects, such as concave spots are repaired
through the use of sabi-lacquer and a spatula. (Sabi-lacquer is a mixture
of crude lacquer and whetstone powder stirred thoroughly with water.) |

The bowl is polished with water and a blue whetstone or Suruga charcoal.
The work of polishing the bowl is done on a lathe. |

Konakanuri |

Again, nakanuri-lacquer is applied to the whole surface with a brush, and
the bowl is again dried in a nushi-bath. |

The bowl is again polished with a blue whetstone or Suruga charcoal until
the surface is flat and smooth. |

After konakatogi, the bowl is polished thoroughly again with a blue whetstone
or Suruga charcoal. This removes any surface contaminants, and the bowl
is then wiped with cloth. Touching the bowl with one's bare hands is not
allowed after this stage, since body oils will debase the finish. |

Fukiage (Polishing Up) |