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HISTORY
It developed as side jobsfor the women of Naka Noto
It is told that when one of the princesses of Emperor Sujin stayed in Rokusei-machi in
Noto, she taught the locals how to weave linen from flax plants. By the Genroku epoch,
the weaving had developed as side jobs of the women in the Naka Noto region and the
products were marked by Omi (now Shiga Prefecture) merchants throughout the
nation.
Noto linen was used as summer kimonos but life style was westernized, and less and
less kimonos has become worn. The number of manufacturers is declining.
CHARCTERISTICS
Noto linen is saidto be the highest quality of the kind
Noto linen is said to be the most ideal for summer kimonos. It is light and airy and
incomparable to any other linens. Since the Meiji period, Noto linen has adopted a
number of new techniques such as kushioshi printing, itajime, roll
printing, stencil printing adding a variety to traditional techniques. The patterns are
called kikko-kasuri, jumonji-kasuri, yokoso, chijime. The
precision work of placing 120 to 140 juji-kasuri patterns along the width of textile is
comparable to none. The technique was designated as intangible property by Ishikawa
Prefecture in 1960.
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